| All the designs listed below are in their exploratory stages. They are all Active Systems, that is Electronic crossovers are used to filter the signals to their respective drivers. Generally, the speakers are Bi-amped. In certain instances, Tri-amped. This is the fastest way for me to acquaint myself with new drivers and to test out different ideas. In designs that I find promising, I will work on their passive crossovers in due course. |
| 2023 |
| Tang Band W6-789E with Seas 27TBFC |
27L Bass Reflex |
| 2022 |
| Dayton RS125P-8 |
Review |
| 2021 |
| Sonavox S10 |
Review |
| Peerless 830869 |
Review |
| Silver Flute W20RC38-08 |
Review |
| Dayton SD215A-88 |
Review |
| Dayton DA215-8 |
Review |
| Dayton DS215-8 |
Review |
| Fountek FW100B |
Review |
| Fountek NeoCD3.5H Ribbon Tweeter |
Review |
| HiVi RT1.3WE Planar Tweeter |
Review |
| Heil AMT Tweeter |
Review |
| 2020 |
| Peerless GBS-85N25PR03-04 with AudioPur PLA-114-6 |
3-1/2″ Dome Midrange with Planar Tweeter |
| Celestion TF1225 with Eminence PSD2002 + SST1 horn |
12″ Pro Woofer with Constant Directivity Horn |
| Celestion TF1225 with Pioneer PD-40 Horn |
12″ Pro Woofer with HiFi Horn |
| Peerless FSL-1225R02-08 with Pioneer PD-40 Horn |
12″ Pro Woofer |
| Dayton PA310-8 with Pioneer PD-40 Horn |
12″ Carbon Fiber Impregnated Paper Cone Pro Woofer |
| Dayton DSA315-8 with Pioneer PD-40 Horn |
Designer Series 12″ Aluminum Cone Woofer |
| FaitalPro 10FE200-4 with Eminence PSD2002+SST1 Horn |
10″ Pro Woofer with Constant Directivity Horn |
| FaitalPro 10FE200-4 |
Review |
| Dayton DAEX25VT-4 Exciter |
Review |
| Tang Band W5-1685 with Seas 27TBFC |
10L Bass Reflex |
| 2019 |
| Audax TW010E1 Tweeter Review |
10mm Polymer Dome Tweeter |
| Dayton PK165-8 Review |
6″ Kevlar/Paper Cone Midrange |
| SuperMicro-DX3 √ |
Silver Flute W20RC38-08 | FE85 | DX20BF00-04 |
| SuperMicro-DX2 √ |
Fountek FE85 with Peerless DX20BF00-04 |
| SuperMicro-DX |
Tang Band W3-1364SA with Peerless DX20BF00-04 |
| Peerless DX20BF00-04 Tweeter Review |
|
| Fountek NeoCD3.5H Ribbon Tweeter Review |
|
| Heil AMT (Air Motion Transformer) Tweeter Review |
|
| Audax HM130C0 with Heil AMT |
5.25″ Midwoofer 7L with Heil AMT tweeter |
| KR65 Kevlar Midwoofer with Vifa PL27TG-35-06 |
6.5″ Midwoofer 18L with Vifa PL27TG-35-06 Tweeter |
| Dayton PA200-8 with Selenium ST200 |
8″ Woofer 20L with ST200 Super Tweeter |
| Selenium ST200 Super Tweeter Review |
|
| Fostex 025H27 Horn Tweeter Review |
|
| Vifa M11MG-09-08 Review |
4″ Midrange 1.7L Sealed Box |
| Vifa PL11MH-09-08 Review |
4″ Midrange 1.7L Sealed Box |
| 2018 |
| Sparrow-19ST ver2 |
5″ 8L Sealed Box Satellite + Bandpass Sub
|
| SB Acoustics SB13PFC25-08 with SB19ST-C000-4 |
5″ 8L Sealed Box Satellite |
| Peerless 830870 with Morel MDT29 √ |
4″ 6L Sealed Box Satellite
|
| Dayton DSA135-8 with Dynavox TD2801XL √ |
5″ Midwoofer with 1-1/8″ Silk Dome Tweeter |
| SB Acoustics SB16PFC25-8 with Dayton ND25FW-4 |
6″ Midwoofer with Waveguide Tweeter (Dual Chamber Reflex) |
| SB Acoustics SB16PFC25-8 with Goldwood GT-520 |
6″ Midwoofer with Horn Tweeter (Dual Chamber Reflex) |
| Vifa M25WO49-08 with Pyle PDS442 + Dayton H07E |
10″ Woofer with Compression Driver |
| Dayton DA270-8 with Pyle PDS442 + Dayton H07E |
10″ Woofer with Compression Driver |
| Silver Flute W20RC38-08 with Pyle PDS442 + Dayton H07E |
8″ Woofer with Compression Driver |
| Dayton PA200-8 with Pyle PDS442 + Dayton H07E |
8″ Woofer with Compression Driver |
| MCM 55-2960 with Pyle PDS442 + Dayton H07E |
8″ Woofer with Compression Driver |
MCM 55-2960 with Fountek FE85
|
8″ Woofer with 3″ Full Range
|