PRO Speakers


Pro Loudspeakers

This new category is dedicated to Professional Loudspeakers. These speakers are primarily for use in sound reinforcement, often in “live” applications where microphones are used. My objective is to examine the drivers, horns, compression drivers and woofers to gain a better understanding of why some PA speakers in the market are somewhat disappointing and what can be done to improve them.

Regarding the horns, I place them on top of the cabinet as shown in the photo above. Those speakers are used in cinemas and manufactured by the big boys like JBL and others. I adopted this approach simply because it’s easier for me to swap the horn/compression driver instead of cutting a new front panel every time I want to test another horn combo. For builders that prefer to mount the horn on the front panel, the crossover is still valid as long as the gap between the bottom flange of the horn and the top of the woofer rim is the same as in the horn resting on top of the cab.

I should mention at this juncture that Pro Speakers are different from HiFi types. Most 10″ and 12″ 2-way speakers are meant for voice reinforcement. Bass is rolled-off at 80Hz for microphone use and often their frequency responses are jagged. Therefore, do not compare them to HiFi speakers.

2026 Description
Audiopipe Line Array Lens  (with PRV D280Ti) Review
Bunting IV  (EV 8HD/D250X + B&C 10CL51) Passive Crossover  (35 Liters BR)
EV 8HD with Selenium D250X Review
Bunting III  (K-700/D250X + B&C 10CL51) Passive Crossover  (38 Liters BR)
Klipsch K-700 with Selenium D250X Review
Bunting II  (K-700/PDB512/ST200 + B&C 10CL51) Passive Crossover  (38 Liters BR)
Klipsch K-700 with Pyle PDB512 Review
Bunting  (Klipsch K-700/JBL2414H-C with B&C 10CL51) Passive Crossover  (35 Liters BR)
Klipsch K-700 with JBL 2414H-C Review
2025 Description
Kestrel-10CL Passive Crossover  (35 Liters BR)
B&C 10CL51 Review  (35 Liters BR)
B&C 10CL51 Thiele & Small Parameters
Kestrel-8FE  (CDX1-1747 + HD1004 with FaitalPro 8FE200-4) Passive Crossover (24 Liters BR)
FaitalPro 8FE200-4 Review (24 Liters BR)
Kestrel-TF8  (CDX1-1747 + HD1004 with Celestion TF0818) Passive Crossover  (24 Liters BR)
Celestion TF0818 Review  (24 Liters BR)
Kestrel  (CDX1-1747 + HD1004 with Beta 8A) Passive Crossover  (24 Liters BR)
Celestion CDX1-1747 with LaVoce HD1004 Review
Eminence Beta 8A Review  (24 Liters BR)
2024
Description
Peavey CH-2 with Peavey RX14 Review
Peavey CH-3 with Peavey RX14 Review
Shikra-PRV  (Dayton MB820-8 with PRV D280Ti) Passive Crossover
Shikra-CDX  (Dayton MB820-8 with CDX1-1446/HC23-25) Passive Crossover
Shikra   (Dayton MB820-8 with Peavey RX14/HC23-25) Passive Crossover
Selenium HC23-25 with Peavey RX14 Review
THOR-JBL  (THOR12400 with JBL2414H-C/H6512)
Passive Crossover  (53 Liters BR)
THOR-CDX  (THOR12400 with CDX1-1446/H6512)
Passive Crossover  (53 Liters BR)
Osprey BR-II  (10CX with Celestion CDX1-1446)
Passive Crossover
2023 Description
Harrier (MB1025 with LaVoce DF10.172K + XT1086) Passive Crossover
Harrier (MB1025 with LaVoce DF10.172K + XT1086) Active Bi-Amped
18 Sound XT1086 with Lavoce DF10.172K Review
Peerless FSL-1020R02-08 (10″ Pro Woofer) Review
GRS 10PT-8 (10″ Pro Woofer) Review
Dayton MB1025-8 (10″ Pro Midbass) Review
GRS 8PT-8 (8″ Pro Woofer) Review
GRS 6PT-8 (6-1/2″ Pro Midbass) T/S
Dayton MB820-8 (8″ Pro Midbass) T/S
Dayton MB1025 (10″ Pro Midbass) T/S
GRS 10PT-8 (10″ Pro Woofer) T/S
GRS 8PT-8 (8″ Pro Woofer) T/S
18 Sound XT1086 with Selenium D220Ti Review
18 Sound XT1086 with Eminence PSD2002 Review
18 Sound XT1086 with Radian 450PB Review
18 Sound XT1086 with Peerless DFM2535 Review
EV HT94 Horn with PRV D280Ti Review
EV HT94 Horn with Pyle PDS182 Review
EV HT94 Horn with Peavey RX14 Review
JBL 2370A Horn with Pyle PDS442 Review
JBL 2370A Horn with PRV Audio D280Ti Review
JBL 2370A Horn with Selenium D220Ti Review
JBL 2373 Horn with JBL 2414H-C Review